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	<title>weebelly.com &#187; Theatre Games</title>
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	<description>A playwright&#039;s blog: dedicated to all things play building.</description>
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		<title>Writing from Character</title>
		<link>http://www.weebelly.com/13/writing-from-character/</link>
		<comments>http://www.weebelly.com/13/writing-from-character/#comments</comments>
		<pubDate>Wed, 14 Dec 2011 00:54:53 +0000</pubDate>
		<dc:creator>Weebelly</dc:creator>
				<category><![CDATA[Cleveland Public Theatre]]></category>
		<category><![CDATA[Playwriting]]></category>
		<category><![CDATA[Theater Synergy]]></category>
		<category><![CDATA[Theatre Games]]></category>
		<category><![CDATA[Writing Exercises]]></category>
		<category><![CDATA[Character from Performance]]></category>
		<category><![CDATA[Character Workshop]]></category>
		<category><![CDATA[Conni's Avant Garde Restaurant]]></category>
		<category><![CDATA[cpt]]></category>
		<category><![CDATA[Jeffrey Frace]]></category>
		<category><![CDATA[Writing from Character]]></category>

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		<description><![CDATA[Attended the Writing from Character workshop last night at CPT, which was run by the heroes of Conni&#8217;s Avant Garde Restaurant. It was a thoroughly enjoyable experience, and that is good as I was somewhat nervous being one of the only playwrights in a room filled with actors. &#160; The workshop, loosely described, is about [...]]]></description>
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		<title>Etude&#8230;Brute?</title>
		<link>http://www.weebelly.com/02/etudebrute/</link>
		<comments>http://www.weebelly.com/02/etudebrute/#comments</comments>
		<pubDate>Sun, 02 Dec 2007 11:33:23 +0000</pubDate>
		<dc:creator>Weebelly</dc:creator>
				<category><![CDATA[Blogroll]]></category>
		<category><![CDATA[Michael Wright]]></category>
		<category><![CDATA[Theatre Games]]></category>
		<category><![CDATA[Writing Exercises]]></category>

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		<description><![CDATA[I&#8217;ve cycled back a bit and am looking at Michael Wright&#8217;s book Playwriting in Process: specifically, Chapter 3, where he introduces the idea of the etude. The etude, for Wright, is what he was referring to in earlier sections when he discussed theatre games, and referred to the six line. But here, he expands the [...]]]></description>
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		<title>Working Theatrically</title>
		<link>http://www.weebelly.com/04/working-theatrically/</link>
		<comments>http://www.weebelly.com/04/working-theatrically/#comments</comments>
		<pubDate>Sun, 04 Nov 2007 05:34:51 +0000</pubDate>
		<dc:creator>Weebelly</dc:creator>
				<category><![CDATA[Blogroll]]></category>
		<category><![CDATA[Lord of the Burgeoning Lumber]]></category>
		<category><![CDATA[Michael Wright]]></category>
		<category><![CDATA[Theatre Games]]></category>
		<category><![CDATA[Writing Exercises]]></category>
		<category><![CDATA[Bob McKee]]></category>
		<category><![CDATA[Jeffrey Sweet]]></category>
		<category><![CDATA[Playwriting Process]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Thinking Theatrically]]></category>

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		<description><![CDATA[Theatre Games Michael Wright in his book begins chapter two by outlining the concept of theatre games for playwrights. Wright outlines the approach to playwriting that he rejects: Doctrinaire statements include saying, the conflict must begin by page 5, or that exposition has to be done in such and such a way. Nontheatrical statements are [...]]]></description>
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