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	<title>weebelly.com &#187; Theatre Games</title>
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	<description>A playwright's blog: dedicated to all things play building.</description>
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		<title>Etude&#8230;Brute?</title>
		<link>http://www.weebelly.com/02/etudebrute/</link>
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		<pubDate>Sun, 02 Dec 2007 11:33:23 +0000</pubDate>
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		<category><![CDATA[Michael Wright]]></category>
		<category><![CDATA[Theatre Games]]></category>
		<category><![CDATA[Writing Exercises]]></category>

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		<description><![CDATA[I&#8217;ve cycled back a bit and am looking at Michael Wright&#8217;s book Playwriting in Process: specifically, Chapter 3, where he introduces the idea of the etude. The etude, for Wright, is what he was referring to in earlier sections when he discussed theatre games, and referred to the six line. But here, he expands the [...]]]></description>
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		<title>Working Theatrically</title>
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		<pubDate>Sun, 04 Nov 2007 05:34:51 +0000</pubDate>
		<dc:creator>Weebelly</dc:creator>
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		<category><![CDATA[Lord of the Burgeoning Lumber]]></category>
		<category><![CDATA[Michael Wright]]></category>
		<category><![CDATA[Theatre Games]]></category>
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		<description><![CDATA[Theatre Games Michael Wright in his book Playwriting in Process begins chapter two by outlining the concept of theatre games for playwrights. Wright outlines the approach to playwriting that he rejects: Doctrinaire statements include saying, the conflict must begin by page 5, or that exposition has to be done in such and such a way. [...]]]></description>
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