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Standardized Child TM

October 15th, 2011 No comments

Springboard a staged reading festival

Springboard

Standardized Child in Springboard

Went and saw Claire Robinson May’s new play on Thursday night at Springboard. It is worth taking a look at.

Springboard

Springboard is CPT’s new festival of staged readings so you need to be aware that these productions are staged readings and not full productions. That being said, CPT is taking an new approach to staged readings and not allowing the boring old “music stand” approach to be the dominant factor. In fact, the directors and actors are encouraged to attempt to get as much into the “full boll” of a real production as possible.

That being said, all should remain aware that staged readings are a public presentation of unfinished work and that there is a lot of fat still on the meat. Claire’s play is no exception. There is a lot going on in this: a lot of good stuff that needs to be focused.

The story in short is about a couple that cannot conceive. So they go to a newly created company that offers robot children and adopt. The “standardized children” are pre-programmed to be successful in standardized ways–good at standardized tests, rote learning, core and fundamental sports and painting techniques, etc. However, they lack the capacity for “creative” thought: they can do as they are programmed, but cannot be spontaneous or operate outside of the bounds of their installed software set.

That being the premise of the play, the play itself is really about some tough themes, themes that were discussed quite passionately. One group of thoughts was that the play is about control. That raising children is about controlling children–after all, children are projections of ourselves into the world and parents attempt to shape their children to be what they want them to be. Society attempts to control children (and parents) and to have them raised according to precepts that are important to society. In discussion, Raymond Bobgan raised the point that public education in the US was never about educating children so much as it was about creating a workforce for industry–and the approaches to education reflect that attitude: standardized, rote, uniform, etc. Another theme that I picked up on is that of connection–or attempts to connect. Throughout the parents who have adopted the robot child attempt to connect with the child in ways that the child is not capable of. In many ways the parents end up projecting their emotional desires onto the child. Additionally, the parents themselves have some work to do in how they relate to each other, a fact that becomes painfully obvious as the play moves forward.

Claire does a wonderful job of keeping the pace of the play moving forward and she has a wicked sense of humor that makes the play as funny as it is serious.

Go tonight

If you’re looking for something to do tonight, get over to CPT and check out Standardized Child, it starts at 7:00 in the James Levin Theatre.

I also have to give a shout out to Debbie Keppler who does a great job as the confused and emotionally distraught mother. Debbie was my lead, Asa, in Patterns at CPT in March.

CPT’s 11/12 Season

October 4th, 2011 No comments

CPT 2011/2012

Got the message below from Beth Wood, Associate Artistic Director, of CPT today. (I’ve modified and marked it up for my own diabolical purposes though.) (Also, as exciting as all this is, I’m really looking forward to Conni’s Avant Garde Restaurant…)

CPT is kicking off its 2011/2012 season with a new series, Springboard; a Staged Reading Festival that will feature eight new works. (I am proud to say that my play, Andrew Jackson ate my Homework will be one of them.)

  1. FREE BEER after the show on Fridays! (This will be happening ALL season too!)
  2. Raymond Bobgan and Chris Seibert will kick off Springboard by performing in the stage reading of Again and Against by Betty Shamieh this Thursday (October 6th) and Saturday (October 8th). I am looking forward to seeing Raymond on stage
  3. Springboard is striving to break the rules of conventional staged readings. There will be no actors just standing around and reading a play. Directors, playwrights and actors are “making bold, adventurous choices with each piece”. (Thank you very much) And everyone at CPT is truly striving to create the best possible production of each script within the confines of just a few rehearsals and minimal technical support (which is very impressive and demonstrates CPT’s commitment to new work).
  4. You get to see and experience more than Springboard. With a purchased ticket to any CPT performance this fall, you get free admission to Royal Ann’s Preserve, a performance installation created by Faye and Joan Hargate. According to Wood: “I experienced this piece at Pandemonium and it is beautiful and moving.” The installation is in the storefront just east of the box office and will be open a half hour before and after the show.
  5. Tickets to Springboard are only $10! Or you can purchase a pass to the entire festival for only $30. If you purchase a pass, you can come to the festival as many times as you want. Even if you don’t come to all eight of the readings, you could come to CPT for the next three Fridays, see some cool pieces in development, AND get FREE BEER after the show. As Wood notes: “You can’t beat that!!” (You really can’t)

Springboard runs October 6 – 23; Thursday – Saturday @ 7pm and Sundays @ 3pm.

If you come on Thursday, October 6th, there will be an opening reception for the series. There will be pizza, snacks and drinks at the reception.

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