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I’m grateful to announce that the Ohio Arts Council has chosen me as a FY 2020 recipient of the Individual Excellence Award as a playwright. I’m thankful for the support and I am exceptionally proud to be one of five playwrights in Northeast Ohio to have been given this honor.

Individual Excellence Awards are peer recognition of a creative artist’s body of work that exemplifies their specific discipline and advances the larger artistic community. These awards support artists’ growth and development and recognize their work in Ohio and beyond.

A greatly revised version of my play, Concussive Blast, was the work honored. Concussive Blast received a staged reading at None Too Fragile in Akron, and was part of the Playwrights Local Play Lab series in 2018.

“The Ohio Arts Council’s Individual Excellence Awards give artists the opportunity to be recognized and rewarded for their exemplary artistic achievements,” said OAC Executive Director Donna S. Collins. “Through their art, the individuals selected for these grants have expressed visionary ideas, spoken in a diversity of voices, and explored thought-provoking topics and themes from a variety of viewpoints. We congratulate the Individual Excellence Award recipients and thank them for enriching Ohio’s creative community.”

Attended a staged reading of Christopher Johnston’s play Nude Reclining into Shadow at Dobama. The reading featured the talents of Lara Knox, Dana Hart, and John Busser.

The following description is from the event listing from Playwright’s Gym:

“Keegan is a middle-aged artist who once reveled in national acclaim for his paintings and photographs. He’s been away from the limelight for many years, however, and survives by teaching a college class in painting at his decrepit studio. Now, just when he’s at a new low and the university is forcing him to retire, he meets Amaris, a beautiful, young, fiercely independent model who is equal parts inspiration and exasperation. She could become the new muse he so desperately desires to start painting again – or his worst nightmare.”

The role of Keegan was read by Dana Hart and that of Amaris was read by John Busser, just kidding, it was Lara Knox, with Busser handling the stage directions.

The eventual performance will be a mix of media, including screen projections (text and video), studio space action, and movement through time.

I have to say, from the reading, that I did not pin Keegan as a middle-aged artist. This had nothing to do with the reading itself, but more to do with the predicament of the artist, the unfamiliarity with more modern communication devices, and perhaps the social disconnection that were both of his own making and the passage of time. I imagined him as more early to mid sixties or later, perhaps. More specifically, it seemed that the artist character was reclining into shadow, shadow of a more permanent sort.

I’m not going to discuss the play too much because I’m still thinking about it and it has not been staged, which will make a pronounced difference. I will say that I found it intensely engaging and, through a series of intimate encounters, a play about longing with a heightened eroticism that I haven’t experienced in many plays before.

I do hope that it finds it’s path to a full production.